The Studio
The Studio is the artist's place of work. That space symbolises the physical creation of a work; it fascinates the spectator and allows him or her to penetrate the artist's own personal world. The numerous representations of the studio in the history of art provide varying visions.
Occasionally, the artist is depicted alone with his work, fully concentrated, consumed by the creative process, recalling the myth of Pygmalion. In the 19th century, the occupation of artist underwent a democratization as studios proliferated attracting more and more apprentices. The studios thus became social gathering places open to friends, students and art lovers. These gatherings led to all sorts of encounters and kindled animated discussion on aesthetics. Studios were also used as venues for private exhibitions, before the works were sent to galleries or to group shows.
This theme, recurrent in 20th century paintings, became an important indicator of the scope and impact, both aesthetic and sociological, of art.
Finally, photography offers artists the opportunity to create a link between their studio and their artwork. In this way, Brancusi's photographs offer a clear view of the artist and his sculptures in composed settings in the very heart of his creative space.
